As a result, in the 17th and 18th centuries, Vienna struggled to keep up with such cities as Salzburg, Munich, and Innsbruck. Carved around 1320, it depicts Mary enthroned and holding a standing Christ child.įrom the Renaissance to the 18th Century - During most of the Renaissance, Vienna was too preoccupied with fending off invasions, sieges, and plagues to produce the kind of painting and sculpture that flowered in other parts of Europe. A superb example of Gothic sculpture is the Servant's Madonna in St. Wood became increasingly popular as an artistic medium and was often painted in vivid colors. The human form became elongated, exaggerated, and idealized, often set in graceful but unnatural S curves. Stephan's Cathedral.īy the late 1300s, Austrian sculpture was strongly influenced by Bohemia. The era's greatest surviving sculptures date from around 1320 and include the Enthroned Madonna of Klosterneuburg and the Servant's Madonna, showcased in Vienna's St. Early Gothic sculpture was influenced by the Zachbruchiger Stil (zigzag style), identified by vivid angular outlines of forms against contrasting backgrounds. The Gothic Age - The Gothic age in Austria is better remembered for its architecture than its painting and sculpture. After a fire in the 1300s, the panels were repositioned onto an altarpiece, known as the Verdun Altar at Klosterneuburg, where they can be seen today. Verdun's 51 small panels, crafted from enamel and gold, depict scenes from the religious tracts of the Augustinians. In 1181, the famous goldsmith Nicolas de Verdun produced one of the finest enamel works in Europe for the pulpit at Klosterneuburg Abbey. Notable from this time is the Admont Great Bible, crafted around 1140, one of the prized treasures of Vienna's National Library. The Romanesque period reached its peak between 10.
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